Itissaidthatlaughterisatitsbestwhenasmilebreaksthroughtears.ThenameoftheItalian-bornworldcitizenAndreaMagnanishouldnotbeunknowntotheaudiencesofPÖFF.Thosewhostillrememberthedirector’swonderfullyconvivialdebut“Easy”whichwasscreenedatthefestivalin2017andinwhichasissywhohascometolovefoodtoomuchissuddenlyplacedinfrontofbiglifechoicescanprobablyguessthedirectionthatthedirector’snewfilmmaytake. 　　ForyoungGiacinto,prisonislikehome.Itwouldindeedbemorecorrecttosaythatprisonishisonlyhome,becausethelittleboyhasbeenborninprisonandhasspenthisentirelifeinprisonwithhismother.PrisonistheplacewhereGiacintotrulybreathesandlives,asthat’stheplacewherehehasbeenborn,learnttowalkandlove.Assoonastheprisondoorsclosebehindhim,theyoungmanfeelsthatlifeoutsidetheprisonwallsisnotforhim.Atthefirstopportunity,heescapesfromtheoutsidebacktoprison,hishome,wherehecanfeelsafefromthedangerousoutsideworld.Butuponreachingadulthood,Giacintohastomakeanimportantdecision... 　　Accordingtothedirector,thefilmwasinspiredbyhisownyouthyearsinasmallItaliantownthatfeltlikeaprisontohisyoungself,butwasstillsodear. 　　Thisimmenselywarmcomedywithitsscarcedialogueandsilentfilmelementsknowswhattheaudienceexpectsfromafilmindifficulttimes.Itissimplybrimmingwithhumanwarmththatwesodesperatelyneedtodayddd